Playing Guitar like a Pro: Lead, Solo, and Group Performance
Overview
About
Trailer
01: Hot Lava: Van Halen’s Two-Handed Tapping
Dr. Colin McAllister begins his second guitar course with one of lead guitar’s most extravagant techniques: two-handed tapping. Using an original composition inspired by the legendary Eddie Van Halen, Dr. McAllister teaches this elaborate performance tool hands-on and step by step, in an accessible and easy-to-follow lesson.
02: Hot Lava Backing Track - Lead
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03: Hot Lava Backing Track - Rhythm
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04: Luna Negra: Soloing like David Gilmour
Here, Dr. McAllister dissects the unique, blues-influenced soloing style of Pink Floyd’s lead guitarist, David Gilmour. Along the way, he’ll introduce you to some of the band’s fascinating history before outlining two playing techniques: vibrato and string bending. As with the other lessons, it includes backing tracks at the end.
05: Luna Negra Backing Track
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06: Barnhill’s Blues: Going Acoustic like Clapton
Eric Clapton’s concert for the MTV Unplugged series is one of the most famous ever played. In this lesson, you’re invited to unplug and play bluesy swing rhythms and learn the Hendrix-inspired playing style that balances both lead and rhythm guitar with just one guitarist in order to help fill out the sound of any single-player performance.
07: Grant Green Street: Funk Rhythm and Licks
Take a trip to 1970s Detroit and master the sound of Grant Green, a funk and blues guitarist for Blue Note Records whose personal life was as colorful as his talent on the six-string. Learn—and learn about—funk-style chord strumming as well as crosspicking, a melodic picking style partly owing its fame to bluegrass.
08: Grant Green Street Backing Track
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09: Fantasía Ibérica: Celin Romero’s Rasgueado
Dramatically switching genres, Dr. McAllister approachably demonstrates staples of classical acoustic guitar, including rasgueado, or playing with the fingernails; right-hand arpeggios, planting the right hand’s fingers on strings to nimbly traverse the guitar; pizzicato, or playing with the thumb while palm-muting with the hand’s outer edge; and tremolo, sustaining a note by finger-picking rapidly and repeatedly.
10: Sunday Drive: Leo Brouwer–Style Classical
Cuban composer Leo Brouwer’s one-of-a-kind Afro-Cuban classical guitar style provides the basis for this remarkable lesson. Interweaving slow playing with rapid hammer-ons and open-string licks, Brouwer’s trademark sound effortlessly switches from easy performance to challenging and back quickly and deftly—and it may have just the flair your next composition is missing.
11: Manitou Swing: Django’s Gypsy Jazz
Dr. McAllister leads a masterful study of one of the greatest jazz guitarists in history—Django Reinhardt. Perfect the arts of staccato chords, fast vibrato, sliding, and other “Gypsy jazz” elements, and bring Reinhardt’s 1930s and 40s to life on your own six-string.
12: Manitou Swing Backing Track
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13: Anselm’s Caper: Bebopping like Tal Farlow
Start with George Gershwin’s “I Got Rhythm” or the theme song from The Flintstones, then increase the tempo and add the frenzied playing of Charlie Parker or Tal Farlow. This is the structure for “rhythm changes” jazz. Don’t worry, Dr. McAllister comes through again with examples, theory, and practical use for the aspiring guitarist.
14: Anselm’s Caper Backing Track
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15: Blue 13: Wes Montgomery’s Octave Melodies
Journey back to the meat and potatoes of improvisational music—the 12-bar blues structure—and spice it up with additional chord progressions and octave-based melodies popularized by jazz legend Wes Montgomery. Fine-tune your thumb strumming and master the style of this legend.
16: Blue 13 Backing Track
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17: Moto Perpetuo: Andy McKee–Style Workout
Andy McKee’s percussive use of the body of the steel-string guitar, coupled with his right-hand tapping and slapping harmonics, defies categorization. The first guitar sensation on YouTube, boasting 100 million views, Andy’s lovely and unconventional playing led him to open for Prince. Learn several of his innovative techniques today and how to “play outside the box.”
18: Way Beyond: Intervallic John McLaughlin
Broaden your musical horizons with this lesson inspired by John McLaughlin, a prominent jazz fusion guitarist who featured on Miles Davis’s Bitches Brew. Dr. McAllister uses McLaughlin as evidence to enlighten the viewer about cross-rhythms, interval-based music, and changing time signatures.
19: Way Beyond Backing Track
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20: Sketch for Barbara: Pat Metheny’s Influence
This lesson focuses on the modern jazz waltz, utilizing arpeggiated improvisation and cross-rhythms in the vein of Pat Metheny. Metheny is known for his blend of highly technical yet swinging play style in jazz and blues, adding a distinct flavor to each genre—especially during the changing musical scene of the 1970s and ‘80s.
21: Sketch for Barbara Backing Track
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22: Cinq de Blanc: The Police’s Quintal Harmony
Thanks to guitarist Andy Summers, most songs by The Police are instantly recognizable. His focus on fifth intervals and reggae-style playing gave the band their signature sound, and hits like “Message in a Bottle” and “Every Breath You Take” give excellent context to this study and insight into your own songwriting.
23: Cinq de Blanc Backing Track
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24: Tarsus: Power Arpeggios of Alex Lifeson
Unleash your inner progressive-rock beast with this Rush-inspired exercise of shifting time signatures, power chords, and crosspicking. The intrinsic and dynamic qualities of the prog-rock subgenre are laid bare here in an easy-paced, digestible format for you to ramp up your technical game.
25: Tarsus Backing Track - Lead
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26: Tarsus Backing Track - Rhythm
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27: Samba Sonrisa: Playing Brazilian Style
This lesson covers the lovely subgenre of Brazilian-style bossa nova. Bossa nova, which includes “The Girl from Ipanema,” surged in the early 1960s thanks to guitarist João Gilberto and pianist/composer Antonio Carlos Jobim. They developed its smooth acoustic plucking and syncopation into a cool, slowed samba irresistible to master guitarists.
28: Cumulus: A Tribute to Joni Mitchell
Dr. McAllister teaches the viewer how to make use of open D tuning and switch between strumming and playing slur-based melodies, enabling him or her to emulate Grammy Award-winning singer-songwriter Joni Mitchell. “Cumulus” gives you the opportunity to adapt the full, rich sounds of the legendary artist and the 1960s-70s folk movement.
29: Gog Magog: Bluegrass and Flatpicking
It’s quicker than a fighter jet and more intricate than an Agatha Christie murder mystery, but you’ve got this! Apply everything you’ve learned so far from this course about hammer-ons and pull-offs (or “slurs”), open notes, speed, and precision to tackle a lightning-fast—and seemingly intimidating—American musical creation: bluegrass.
30: Gog Magog Backing Track
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31: Whisper Creek: American Folk Music
Ballads of America’s downtrodden. Post-Dustbowl hardships. Empty bottles. It may not seem flashy or glamorous at first glance, but the viewer crosses the finish line with this snapshot of a nation, a people, a time. Complete your journey of guitar edification with folk music—that most humble, somber, and sincere of American working-class genres.
32: Echo Park
American Surf Guitar. Revisit the early 1960s sound of surf rock by freshening up on the rapid picking and steady 16th-note rhythms that dominated the beach. Dr. McAllister shows you how to play like Dick Dale and The Beach Boys, while enlightening you about everything from the Rendezvous Ballroom fire to Brian Wilson’s nervous breakdown.
33: Echo Park Backing Track
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