Lighting 101
Let an expert photographer guide you through the basics and intricacies of lighting, in this helpful, engaging course delivered like a creative workshop.
Overview
About
Trailer
01: Chapter 1 Introduction
Chapter 1 Introduction
02: Why Just One On-Camera Flash?
Why Just One On-Camera Flash?
03: 5 Reasons to Use Flash
5 Reasons to Use Flash
04: Common Flash Myths
Common Flash Myths
05: What Makes Flash Challenging?
What Makes Flash Challenging?
06: Chapter 2 Introduction
Chapter 2 Introduction
07: Flash-Strobe vs. Ambient-Constant Light
Flash-Strobe vs. Ambient-Constant Light
08: Flash vs. Ambient Light Exposure
Flash vs. Ambient Light Exposure
09: Flash vs. Ambient Demo
Flash vs. Ambient Demo
10: Flash and Ambient Balancing for Natural Effect
Flash and Ambient Balancing for Natural Effect
11: Flash and Ambient Balancing for Dramatic Effect
Flash and Ambient Balancing for Dramatic Effect
12: Flash and Ambient Balancing for Creative Effect
Flash and Ambient Balancing for Creative Effect
13: Understanding Flash Duration
Understanding Flash Duration
14: Chapter 3 Introduction
Chapter 3 Introduction
15: 5 Common Key Light Patterns
5 Common Key Light Patterns
16: 5 Common Key Light Patterns with Diffusion & Fill
5 Common Key Light Patterns with Diffusion & Fill
17: 5 Common Secondary Light Patterns
5 Common Secondary Light Patterns
18: 3 Primary Subject Patterns
3 Primary Subject Patterns
19: Light Qualities
Light Qualities
20: The Inverse Square Law
The Inverse Square Law
21: Inverse Square Law in Practice
Inverse Square Law in Practice
22: Corrective White Balance
Corrective White Balance
23: Creative White Balance
Creative White Balance
24: Chapter 4 Introduction
Chapter 4 Introduction
25: On-Board vs. Hot Shoe Flash
On-Board vs. Hot Shoe Flash
26: Full-Feature vs. Manual Flashes
Full-Feature vs. Manual Flashes
27: TTL vs. Manual Control
TTL vs. Manual Control
28: TTL vs. Manual Recycle Times
TTL vs. Manual Recycle Times
29: Flash Power & Zoom
Flash Power & Zoom
30: HSS vs. ND Filters
HSS vs. ND Filters
31: FCS vs. RCS
FCS vs. RCS
32: Chapter 5 Introduction
Chapter 5 Introduction
33: 4 Tips When You Must Use Direct Flash
4 Tips When You Must Use Direct Flash
34: Bare Bulbing Done Right
Bare Bulbing Done Right
35: Grid Snoot + Direct Flash
Grid Snoot + Direct Flash
36: Mini Beauty + Direct Flash
Mini Beauty + Direct Flash
37: Ring + Direct Flash
Ring + Direct Flash
38: Understanding Modifiers
Understanding Modifiers
39: Direct Flash + Shutter Flash
Direct Flash + Shutter Flash
40: Chapter 6 Introduction
Chapter 6 Introduction
41: Ambient vs. Direct Flash vs. Bounce Flash
Ambient vs. Direct Flash vs. Bounce Flash
42: Silver Bounce
Silver Bounce
43: More Light Silver
More Light Silver
44: Soft White Bounce
Soft White Bounce
45: Overhead Bounce
Overhead Bounce
46: Overhead Bounce + Fill
Overhead Bounce + Fill
47: Event Bounce
Event Bounce
48: Chapter 7 Introduction
Chapter 7 Introduction
49: Natural vs. Dramatic Light
Natural vs. Dramatic Light
50: Filling and Refining Existing Light
Filling and Refining Existing Light
51: Coloring Light for Corrective Effect
Coloring Light for Corrective Effect
52: Coloring Light for Creative Effect
Coloring Light for Creative Effect
53: Chapter 8 Introduction
Chapter 8 Introduction
54: Case Study 1: Dramatic Sunset
Case Study 1: Dramatic Sunset
55: Case Study 2: Desert Sunset
Case Study 2: Desert Sunset
56: Case Study 3: Sinister Headshot
Case Study 3: Sinister Headshot
57: Case Study 4: Family Portrait
Case Study 4: Family Portrait
58: Case Study 5: Athlete Portraits
Case Study 5: Athlete Portraits
59: Case Study 6: Working Angles
Case Study 6: Working Angles
60: Case Study 7: Drag + Composite
Case Study 7: Drag + Composite
61: Case Study 8: Less Is More
Case Study 8: Less Is More
62: The Good Karma Jar
The Good Karma Jar
63: Favorite Feature Flashes
Favorite Feature Flashes
64: Favorite Manual Flashes
Favorite Manual Flashes
65: Favorite On-Camera Flash Modifiers
Favorite On-Camera Flash Modifiers