Professor Robert Greenberg of San Francisco Performances presents an outstanding opportunity to study and enjoy a variety of chamber works drawn primarily from Mozart's golden years in Vienna, 1781√1791. The centerpiece of this 16-lecture course is the set of six Haydn string quartets that Mozart dedicated to his friend, the great Joseph Haydn.
Chamber Music of Mozart
Examine the music and the man behind it with a music historian as you study and enjoy a variety of chamber works drawn primarily from Mozart's "golden years. Focus on works that represent the three types of chamber music..."
Rated 5 out of
5
by
rus25 from
Professor Greenberg Does it Again
Clearly and enjoyably presented at just the right level as usual. All of Professor Greenberg's courses on The Great Courses are like this. I love his humor and approachable style. I'm still waiting for his course on ancient music (say early history then Greek to medieval, then renaissance dovetailing with his existing Bach/baroque course) and a course on Schubert. Come on Professor Greenberg, you can do it !
Date published: 2022-12-30
Rated 4 out of
5
by
NailKegs from
Greenwood is about the most enthusiastic teacher.
Music is such a personal experience. Greenwood makes to composer and his music a living experience. I come away loving the music more because I have become acquainted with the composer and his world. Great experience
Date published: 2022-11-30
Rated 5 out of
5
by
Goedel from
Greenberg’s enthusiasm is infectious
Considering how young he died, there is a lot of Mozart music. Greenberg ‘s selection of some pieces of the chamber music is ideal. Incisive, informative…
There is no Greenberg but Greenberg
Date published: 2022-11-20
Rated 5 out of
5
by
Biggles from
The personal history, and the wonderful music. Also liked the lecturers’ style.
Date published: 2020-08-17
Rated 5 out of
5
by
TristanBlackWolf from
The Guy Who Gets It Right!
When Prof. Robert Greenberg explains the works of any given composer, that composer's spirit punches the air and shouts, "Finally! Someone got it right!" With humor, careful explanation, and a composer's empathy for the work of other composers, Prof. Greenberg's lectures educate, entertain, and bring richness heretofore unparalleled in musicology.
Date published: 2020-08-12
Rated 3 out of
5
by
notBert from
Greenberg is fun, navigating Guide notes ia teduou
Prof Greenberg weaves a fascinating story tho not quite painlessly for those of us who struggle reading music and are tone deaf to C major vs E minor. The score notes tacked to the final pages of the Guide are a real chore to access back & forth while listening to either a lecture or the music on a CD. This is true also of his Beethoven quartets! Am I missing something? Like a hot link or "GoTo page ... " ?? Flipping from lecture page 21 to score notes is too tedious.
Date published: 2020-03-09
Rated 4 out of
5
by
The Dean from
Well done & interesting
We would have enjoyed it even more if you showed musicians playing at least some of the music instead of staring at a picture of Mozart.
Date published: 2019-12-24
Rated 4 out of
5
by
Omnivore2 from
Excellent content, organization, and presentation
This was a well-designed survey of Mozart’s chamber music, considered in the context of his life and times, incorporating a moderate amount of technical detail on the music, the genres, and the instruments involved. It’s fully up to the standard of Professor Greenberg’s other courses in terms of solid content, authoritativeness, and excellent presentation: I gave it less than a maximum score only because it overlapped a fair amount with his free-standing course on Mozart (#752) and his comprehensive music-appreciation course (#700). That said, I learned a fair amount about what was mainly familiar music. The lectures on chamber music for winds were particularly good, especially the final one on the clarinet quintet.
Date published: 2019-01-09
Overview
About
Dr. Robert Greenberg is Music Historian-in-Residence with San Francisco Performances. A graduate of Princeton University, Professor Greenberg holds a Ph.D. in Music Composition from the University of California, Berkeley. He has seen his compositions-which include more than 45 works for a wide variety of instrumental and vocal ensembles-performed all over the world, including New York, San Francisco, Chicago, Los Angeles, England, Ireland, Greece, Italy, and the Netherlands.
He has served on the faculties of the University of California, Berkeley; California State University, Hayward; and the San Francisco Conservatory of Music, and has lectured for some of the most prestigious musical and arts organizations in the United States, including the San Francisco Symphony, the Lincoln Center for the Performing Arts, the Van Cliburn Foundation, and the Chicago Symphony. For The Great Courses, he has recorded more than 500 lectures on a range of composers and classical music genres.
Professor Greenberg is a Steinway Artist. His many other honors include three Nicola de Lorenzo Composition Prizes and a Koussevitzky commission from the Library of Congress. He has been profiled in various major publications, including The Wall Street Journal; Inc. magazine; and the London Times.
You can find more music content from Robert Greenberg on Patreon: https://www.patreon.com/RobertGreenbergMusic.
01: A Blessing of Inconceivable Richness
Mozart's chamber music ranks among his finest work, making it some of the greatest music ever written. We will listen to a few selections as a preview of the extraordinary pieces of chamber music we will study....
47 min
02: The Hunt
Mozart's String Quartet in Bb Major, K. 458, subtitled "The Hunt," exemplifies the Viennese Classical style at its zenith. In this work, we will see how Mozart connected and metamorphosed musical ideas, and appreciate his advanced compositional technique....
46 min
03: The Hunt, Part 2
Our in-depth analysis of Mozart's "Hunt" Quartet will reveal the workings of sonata form, the most important musical structural innovation of the Classical era. This work also provides an opportunity to observe the compositional details that set Mozart's music apart....
45 min
04: The Flute Quartet in D Major
In this lecture and the next, we will look at Mozart's life before he settled in Vienna, and examine his Flute Quartet in D Major, K. 285, of 1777. It features a flute solo that the great musicologist Alfred Einstein described as "perhaps the most beautiful accompanied solo ever written for the flute."...
44 min
05: Vienna
Mozart plunged into the musical life of Vienna as a composer and performer. His first big splash came with the "Auernhammer" Sonatas for Violin and Piano, published in December, 1781. The Sonata K. 380 exemplifies these works, which feature the violin and piano as equal partners in an ongoing musical conversation....
45 min
06: Haydn and Inspiration
Mozart was 25 when he met 49-year-old Joseph Haydn. Although very different personalities, they quickly became good friends. Haydn's biographer, Karl Geiringer, claimed that Mozart learned to compose string quartets solely from Haydn. In this lecture, we study the "Haydn" String Quartet in G Major, K. 387....
45 min
07: Exclusively For His Friends
Many of Mozart's chamber works were written to be performed by his friends. The Oboe Quartet of 1781 was composed for the great oboist Friedrich Ramm. Mozart's Horn Quintet of 1782 was written for Joseph Leutgeb, a master of the hand-horn. This lecture also examines three of Mozart's demanding Twelve Duos for Horn, written, according to Mozart, "while bowling."...
46 min
08: Duos For Violin and Viola
Mozart's collaborations with composer Michael Haydn-who is less well known today, but was highly respected in his time-caused huge problems of attribution for posterity. Mozart's two Duets for Violin and Viola, K. 423 and K. 424, are cases in point. He wrote them "as" Michael Haydn, who was too ill to fulfill a commission for them....
46 min
09: Not Just a Pretty Face
Mozart's major works were never perceived as "easy listening" during his life. His dark and dissonant String Quartet in D Minor, K. 421, completed in 1783, represents the kind of music that challenged Mozart's audiences. His third "Haydn" Quartet in E flat Major, K. 428, is a striking contrast. It contains the most explicitly Haydnesque music of all the "Haydn" quarte...
47 min
10: Blowin' in the Winds
Mozart's Quintet in E flat Major for Piano, Oboe, Clarinet, Horn, and Bassoon, K. 452, 1784, was, he believed, the best work he had composed to that point. Two years later, inspired by the great clarinetist Anton Stadler, he composed the Trio in E flat Major for Clarinet, Viola, and Piano, K. 498. Mozart's compositions for clarinet remain the core repertoire for that instrument....
47 min
11: The Piano Trios
Mozart virtually invented the piano trio as we understand it today, and composed six of them. This lecture examines the Divertimento in Bb Major, K. 254; the Piano Trio in B flat Major, K. 502, 1786; and the Piano Trio in E Major, K. 542, 1788. At this time, Mozart's finances and health were in disarray, yet still he composed beautiful, technically perfect music at breakneck speed....
46 min
12: The Piano Quartets
By the mid to late 1780s, Mozart no longer tried to appeal to a mass audience. This refusal to "dumb down" his music is most apparent in his two piano quartets, written between 1785 and 1786. They are large-scale works in terms of their length and grandeur of conception....
45 min
13: String Quartet in A Major, K. 464
In this lecture, we examine the fifth of Mozart's "Haydn" Quartets, the String Quartet in A Major, K. 464. Musicologist Alan Kriegsman described this work as "the most stunning example of musical craftsmanship among the six 'Haydn' Quartets."...
46 min
14: The String Quintets
By the 1780s, Mozart's artistic vision had gone far beyond that of his contemporaries. His string quintets did not sell well, although posterity has benefited from his desire to challenge this difficult medium. In this lecture, we examine four string quintets-all are transcendental masterworks....
46 min
15: Dissonance-Musical and Financial
Mozart completed his String Quartet in C Major, K. 465, the so-called "Dissonant" Quartet, in 1785. This sixth and last of Mozart "Haydn" Quartets exhibits an expressive depth and a dark side that exceeded what was then considered appropriate and tasteful. By the late 1780s, Mozart's "difficult" music so alienated his Viennese patrons that his financial situation turn...
47 min
16: Basset Horns and Harmonicas
Mozart wrote his Clarinet Quintet, K. 581, of 1790, and his Clarinet Concerto, K. 622, of 1791, for the basset clarinet (or basset horn), invented by Anton Stadler, one of the finest clarinetists of his day. Mozart's last chamber composition was his Adagio in C Minor and Rondo in C Major for Flute, Oboe, Viola, 'Cello, and Glass Harmonica, K. 617....
47 min
